Awards

2026 nominees

• Donkey Princess (dir. Cristóbal Léon, Joaquin Cocina, Chile/France)
• Family Fears Another Night of Terror (dir. Cristian Ponce, Argentina)
• Future Tense (dir. Jenna Cato Bass, South Africa)
• Godhead (dir. Mark H. Rapaport, UK/USA)
• Hope (dir. Na Hong-Jin, South Korea)
• Hot Spot (dir. Agnieszka Smoczynska, Poland/USA)
• In This Darkness I See You (dir. Nadim Tabet, Lebanon)
• A New Dawn (dir. Yoshitoshi Shinomiya, Japan)
• The Samurai and the Prisoner (dir. Kiyoshi Kurosawa, Japan)
• The Wig (dir. Emiliano Rocha Minter, Mexico)

2025 winner: Mārama (dir. Taratoa Stappard)

From the jury report: ‘The films we had to watch as a jury represented the most diverse perspectives, in a way that we had not previously seen side-by-side like this. We were pleasantly surprised, but this made the final choice all the more difficult. This year’s winner of the Sea Devil Award manages to completely invert the Western colonial gaze. And, to our delight, does so from a female perspective in a revenge film. The film is nuanced, layered, and relatable, regardless of the viewer’s perspective. It is innovative and refreshing, and we hope to see much more from this filmmaker in the future!’

2026 nominees

• Adult Supervision (dir. Alex Schulman, Sweden)
• Ferine (dir. Andrea Corsini, Italy)
• Five More Minutes (dir. Javier Ruiz Caldera, Spain)
• Frost (dir. Pavle Vuckovic, Serbia)
• No Way Down (dir. Mohamed Chabane, Théo Jourdain, France)
• Objet A (dir. Ann Oren, Germany/Luxemburg/Greece/Belgium)
• Out There (dir. Simon Ryninks, UK)
• PH1SHed_ (dir. Thijs Meuwese, The Netherlands)
• Salvation (dir. Emin Alper, Turkey)
• Species (dir. Marion Le Coroller, France)
• Upiro (dir. Óscar Martín, Spain)
• Victorian Psycho (dir. Zachary Wigon, UK/Ireland)

2025 winner: The Last Viking (dir. Anders Thomas Jensen)

From the jury report: ‘Not only did the film manage to maintain the balance between drama and comedy without descending into painful stereotypes about mental disorders, it also switched from being incredibly crude to very tender and sweet. Additionally, the liberation of choosing one’s own identity is a beautifully topical theme. Although Anders Thomas Jensen has clearly developed a distinct style after ten Danish genre films, often featuring the same lead actors, The Last Viking still feels original and fresh. Nevertheless, the jury is eagerly anticipating the moment when Jensen chooses an entirely different route. But whether he chooses the innovative or the familiar, we hope this award will motivate him to continue his work in Fantastic cinema’

2026 nominees

• A Little Death (dir. Leto Meade, Jonathan Rockefeller, UK)
• Adventum (dir. Ion Adrian, The Netherlands)
• Altera Partem (dir. Simon Doutreleau, France)
• Blessing (dir. Francisco Lacerda, Finland)
• Breathwork (dir. Erik Westerström, Sweden)
• Exuvia (dir. Arthur Henning, Austria)
• Factory Reset (dir. Ludo Hoffstetter, France)
• Father’s Love (dir. Caye Casas, Spain)
• Feedback (dir. Nico van den Brink, Netherlands)
• Future Of… (dir. Scott Corelli, UK)
• Insecticide (dir. Paula Gallego, Spain)
• Internettrolls (dir. Andrei Meikes, Marc S. Nollkaemper, The Netherlands)
• KAKEK (dir. Sven Peetoom, The Netherlands)
• LUCID (dir. Jerom Fischer, The Netherlands)
• Misfortune in Life, for a Man who Suffers in Silence (dir. Sam Bogstedt, The Netherlands)
• Monsters (dir. Mees van Oosten, The Netherlands)
• My Game (dir. David Navarro Bravo, Spain)
• Plankgas (dir. Ignjat Miletic, The Netherlands)
• Relieved (dir. Steffen Geypens, Belgium)
• Scrap in the Woods (dir. Levi Numann, The Netherlands)
• SHE (dir. Jonathan van Wieren, The Netherlands)
• Stuck (dir. Jan van Gorkum, The Netherlands)
• The Catcher (dir. Luka Galle, Belgium)

Nominees (cont.)

• The Flesh Dress (dir. Joachim Hérissé, France)
• The Magistrates (dir. Jop Emonts, The Netherlands)
• The Malthus Law (dir. Shanice Kamminga, The Netherlands)
• The Sorrows of Young Charlotte (dir. Shir Ariya, UK)
• The Valley at Dusk (dir. Witold Lucjan Gręda, The Netherlands)
• Welcome to the Family (dir. Sam van der Plas, The Netherlands)

2025 winner: Radix (dir. Anne Breymann)

From the jury report:

‘Amongst a highly diverse selection, with especially strong animation films, a melancholic fantastic short depicting an encounter between two lonely creatures stood out. In an organic, tactile, rooted and almost earthy style, the filmmaker transports us to a non-verbal surrealistic universe in which small details and movements have emotional impact. This quiet, intimate, heartwarming tale urges us to do what we all need so very much: showing true interest in ‘the other’ and blooming through the shared experience of connecting. Rooting us to grow.’

Nominees 2026

• Lúcido (dir. Vier)
• Crafting Crimes (dir. Chloé Rochereuil)
• Library of Dreams (dir. Jane Rzheznikova, Alina Mikhaleva Savelyeva)
• Sunset Motel (dir. Gilles Jobin)
• The Great Orator (dir. Daniel Ernst)

2025 winner: Fallax (dir Owen Hindley)

From the jury report:

‘The winner of the Immersive Competition at Imagine invites the visitor into a minimalist rite of passage through time, space, and body. Through articulate, playful bodily movement and the living pulse of the landscape, the piece carries us through its story. The VR visitor encounters a world without words, one of stunning calmness, paced by the crisp editing of stylized VR tableaus. The jury felt the energy of ancient mythology of Iceland rendered in a modern, levelheaded interpretation. The creators invited the jury into a transcendental, mystical journey through nature, where a story about escaping turns into escapism and liberation. The winner is Iceland’s first narrative XR experience, Fallax, by director Owen Hindley and producer Nanna Gunnars.’